A Piece of the Pi

This shot took me DAYS to set up and render. I made it for my demo reel so I could get a job at Rhythm + Hues in 2006.

R+H created Babe, Richard Parker from Life of Pi, Aslan, the Geiko gecko and countless other memorable CG characters. They recently filed for bankruptcy (a disturbing trend amongst VFX houses lately). Pi won best VFX tonight and when the rep started thanking R+H, they not only played him off stage, but they muted his mic. R+H got no mention from the cinematographer (who, let’s face it, owes many of his gorgeous “shots” to the VFX) to even the director, who only expressed that he wished VFX could be cheaper.

People are under the impression that CGI requires nothing more than a button press. Computers are a tool, just like a pen, but it still takes real artists to pull it all off. I spent thousands of dollars and hundreds of hours learning these skills and I consider myself to be nowhere near the caliber of the people who pulled off Life of Pi. I struggled to find work when I moved out here and was SHOCKED at what people were willing to pay. Luckily, I had other skills to fall back on, but I miss this work and would like to think that I could someday return to it AND support my family. And for my friends who are struggling to find that balance, I hope it gets better. Without the VFX artists, many of the most profitable movies would be nothing more than a couple of actors standing in front of a green screen. I hope to see a reverse in this trend and respect to the artist.

Since I couldn’t show up in person to stand with the artists, I have to settle for making a point via the internets: https://www.facebook.com/VfxSolidarityIntl and @VFXSoldier on Twitter are two great sources of more information.

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