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Courtney Hoskins

Writer/Director

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Day Five- Hitting the Wall

So today was the big Indiana Jones premiere and all I felt I could do was sleep! I am still seriously jet lagged and did way too much too fast when I got here. Plus, the access/no access security check point stand in a line all day thing really wears you out after a while. It’s like going to the airport for fun. Even the lawn is "forbidded" here:

img_0994.jpg

This is actually a common complaint of festival-goers. Nothing is explained to you here. Access to certain places seems to be granted and denied at the whim of whoever. Not only that, but there’s this fatalistic attitude that goes along with the whole thing- as if nothing can be done to make anything clearer. That’s just the way it is. “This space is now closed,” one guard said to me. “Oh, okay. Well, what time is it usually opened?” I asked. “Not now.”

Oh... Thanks for the help. I guess as long as it's not "now," I can go in.

Indiana Jones was a mob scene. I was pushed from one end of the carpet (no access) to the other (limited access) and then back again, all the while being accosted by people demanding if I had “un ticket de plus” that they could have. I ended up being late for the big red carpet entrance and had to wait as the movie stars made their way up the carpet. After all, the last thing you want in a picture of a star on the red carpet is a normal person in the background! Normally, I wouldn’t mind, but this meant that by the time I got to the top, I was ushered into a sort of overflow room and wasn‘t allowed to sit in the larger theatre. This was an extreme disappointment to me, as I went to great lengths to secure a ticket in the main auditorium so that I could share the film with its director. That was the whole point, in fact. I didn’t quite see the point in reserving a ticket if the space was not… reserved. I still got to see the film, but no Spielberg. I’d have just gone to the earlier screening that did not demand formal dress if I had known that would be the case. Still, I think I looked okay- even though my phone somehow skewed/warped the image…

Courtney Hoskins at the premier of Indiana Jones and the Kingdom of the Crystal Skull

Courtney Hoskins at the premier of Indiana Jones and the Kingdom of the Crystal Skull

I'm really not that diagonal...

After the film, I ended up by the back exit where the movie stars and their entourage leave. This is where I had seen Woody Allen the night before. I decided to stick around, just in case Stevo and the cast decided to show up. I ended up in the paparazzi mob- which is not a place I ever wish to find myself again. And that’s about all I got photos of:

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I did see the back of Goldie Hawn’s head, Faye Dunaway, some guy named Giles, some woman named Denise (or a guy named Denny- it’s hard to tell with the French accents) and a woman who looked like Kirsten Dunst (but who I don’t think was). I think the people from the film had left by the time I got there. No Spielberg.

Oh, there was one famous woman I did see: Salma Hayek. In fact, as I mentioned, I arrived at the same time as the stars. We had to move around the red carpet to get to the steps. When I arrived at the steps, I heard the paparazzi scream “Salma!” I turned to my right, and there she was. So, we climbed the red steps together and we left the film together.

This is particularly funny to me, as Salma Hayek and I have a bit of a “history” together at Cannes: When I was an intern here in 1999, I got to be “the list holder” for a swanky party- if they didn't have their invite, they came to me. This beautiful woman was sent to me because she didn’t have her invitation. She looked at me, perplexed. “Hayek? Salma Hayek?” What can I say? Her name wasn’t on the list! I didn’t know what to say. Luckily, a herd of official people ran out of the party to grab her and bring her in, saving me the embarrassment of putting her in an armlock and throwing her out (I'm mean like that). Still, I felt like an idiot. Telling her she wasn’t on the list was bad enough!

Flash forward nine years and not only do I know who she is (heck, one of the companies I worked for in New York did the special effects for Frieda), but here we are on the same side of the fence this time. Only, I was the one denied entry and no one ran out to grab me and bring me in…

That and the film made it a good night. None of the access/denial crap mattered once the movie started. I loved it. I think it’s going to get a mixed reception by the fans, but this fan adored it. It was fun, and Indy and... yeah. I thought it was good.

tags: Cannes film festival, celebritites, indiana jones, steven spielberg
categories: Uncategorized
Monday 05.19.08
Posted by Courtney Hoskins
Comments: 2
 

ZOMG! Holy Crap! Cool, cool, cool!!

indy.jpg

Know what this is? It's a freaking ticket to see the world premiere of Indiana Jones- with the cast and crew- tomorrow night!!!

I had to stay up until 3:30 in the morning and do some clever math to get it on my own steam, but it is the most coveted thing in this whole town right now! Needless to say, I'm guarding it with my life.

tags: cannes, indiana jones
categories: Uncategorized
Saturday 05.17.08
Posted by Courtney Hoskins
Comments: 2
 

Ulterior motives...

Although I'm excited to represent LOOP at the Cannes market, I have to admit, I have ulterior motives for attending the festival as well. Countless films will be celebrating their world premieres there and I plan to see a bunch of them! I try to save the big Hollywood production-type films for when I return to the states. I mean, the great thing about attending a festival like this is getting the opportunity to see foreign/independent films that might not even make it to the U.S. market... That doesn't mean that I'm not going to try to score a ticket to the red carpet premiere of "Indiana Jones and the Kingdom of the Crystal Skull..."

I'm totally geeking out over the thought of sitting in the same theater with Steven Spielberg, Harrison Ford, Karen Allen, Shia LaBoeuf, and Cate Blanchet to see the premiere of the next Indiana Jones (the first of which being a film that really sparked my desire to make movies)! Scoring a ticket might be a bit difficult, but I already had one co-worker agree to bust me out of a French prison, so I will try everything I can to get in!

I also wouldn't say no to a ticket "Synchdoche," Charlie Kaufmann's directorial debut, "Che" by Steven Soderbergh, "Palermo Shooting," by Wim Wenders or even "Kung Fu Panda." Actually, I wouldn't say no to a ticket to just about anything. I'm hoping the technology works with me so that I can keep up-to-date on my blog.

tags: Cannes film festival, indiana jones
categories: film and television
Friday 05.09.08
Posted by Courtney Hoskins
Comments: 1
 

And now for some new news! LOOP at Cannes!

That's right! Real, realtime, new news! Next Monday I will head overseas for the 2008 Cannes Film Festival! THIS is why I have been such a blog slacker lately. When I traveled to the festival in 2004, it was mostly for fun. This time, I will be representing a film that I have really been working really hard on. The film is LOOP by Pericles Lewnes.

Now I know I have plugged this film before, but since then, Pericles has been generous enough to let me go to town with visual effects... and I have! I have gone rotoscope-crazy!

Pericles Lewnes in LOOP

Pericles Lewnes in LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

Still from LOOP

For those of you who do not know what rotoscoping is, I'll put it like this: it's like tracing, only you trace over every single frame of a movie (by the way, video is roughly 30 image frames per second, meaning one 8 minute scene (which each still above represents) contains about 48,000 images...)

Now, I didn't do all of the inky, graphic novel-looking stuff by hand. Most of that was automated (most of it- though I might add that "automated" does not necessarily mean "easy"). What I did do frame-by-frame was trace over the "real people" to cut them out of the graphic novel-looking background or vice-versa. There are usually MUCH easier ways to do this- typically involving keying out some shape or color (think bluescreen), but the scenes were not set up that way when the film was shot, so I had to do it all by hand. Yes, my hand hurts.

I will dedicate an entire posting to the art of digital compositing at some point, but for now, the most important thing is LOOP is playing at the Cannes Film Festival and I am happy to represent it! I am very proud to be part of the team that put this film together. Pericles has done an amazing job to pull off an independent film worthy of attention and I hope it receives a lot of it at Cannes.

A little over a year ago, now, Pericles and I competed in the prime time disaster that was On the Lot (think American Idol for film directors). He had posted a question to the forum asking if anyone knew how to do 3D animation and if they thought they could make a helicopter. He had no budget, but I saw it as a great learning opportunity. So I taught myself Maya. Which is insane, but yes, I did it (incidentally, it is now one of my favorite programs). It took me a while to do, but I modeled the helicopter, textured it, and composited it into the scene:

(The Loop section of this video starts at about 2:10 into it)

Pericles and I have never met in person. We have never even spoken over the phone. Despite physical obstacles, we have managed to pull off some pretty slick visual effects using e-mail, snail mail, ftp, trust and probably some sort of strange psychic something or other. I can't wait to see it on the big screen!

tags: cannes, Cannes film festival, film festival, indiana jones, loop
categories: Uncategorized
Thursday 05.08.08
Posted by Courtney Hoskins
Comments: 4
 

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