The Galilean Satellites: Europa

This is the first in a four-part series of films dedicated to legendary filmmaker and friend, Stan Brakhage. It is also dedicated to a group of filmmakers with whom I shared orbit around the massive scope of Brakhage's work.

This has been the "audience favorite" of my works so far- at least, it has traveled around the world to all sorts of festivals and gotten great feedback (though the New York Times called it both one of the "most ambitious" films in its program as well as "relentlessly abstract." I'm not quite sure how to take the latter, but every artist knows that "ambitious" feels like a blow-off. I digress...)

As such, I am a bit reluctant to post it online, where it will be seen at 1/100th of its intended size, with resampled sound and dropped frames. Still, I'm reaching out into the volgosphere! It will be traveling around the country soon, so perhaps it might inspire a few souls to go see it when it comes to town (more details as they become available).

It is a 16mm sound film that imagines the icy hatched-marked world of Jupiter's moon, Europa. The soundtrack consists of recordings from several probes that visited the moon (specifically, the "sounds" are coming from the atmosphere of Jupiter), as well as whale songs- an imagining of the possible life beneath the icy surface. The imagery combines hand-painted liquid crystals and Super-8mm footage from a local aquarium (hooray for (now extinct) Kodachrome).

2003 16mm, sound, color An abstract film that imagines the icy hatched-marked world of Jupiter's moon, Europa. This is the first in a four-part series dedicated to filmmaker Stan Brakhage. The soundtrack consists of recordings from several probes that visited the moon, as well as whale songs- an imagining of the possible life beneath the icy surface. The imagery combines hand-painted liquid crystals and footage from a local aquarium.

The Galilean Satellites- Callisto!

Finally! I feel so neglectful of poor little Callisto. I got my firewire cable in the mail on Monday and re-rendered Callisto last night. Callisto is the final film in The Galilean Satellites series. She is silent. This film was complete magic toward the end. I had not quite expected the results that I got, but I was awed by them.

Callisto is also one of the most heavily cratered bodies in the solar system. Jupiter's gravity attracts comets, meteoroids, and other objects and Callisto, being far away and tectonically inactive, bears thousands of years worth of battle scars. She also has the lowest density of the Galilean Satellites and it is thought that there might be an ocean beneath her rocky crust.

The imagery consists of liquid crystal paints and rubbing alcohol (like I said, magic). Enjoy:

2003 16mm, sound, color Her name is derived from “kalliste,” which means “most beautiful.” She is the most heavily cratered body in the solar system. Her quiet distance from Jupiter offers her little protection, but keeps her interior calm. This film is the fourth of a four-part series dedicated to filmmaker Stan Brakhage. The inspiration for these films come from the incredible images and sounds coming from the Galileo space probe. The four large moons of Jupiter were thought to be nothing more interesting than our own moon- barren balls of rock. As optical technology advanced, we began to get a more interesting view of these bodies. The Voyager space probes sent back images that suggested that these worlds may be highly complex. The Galileo space probe images we have received of Callisto reveals a pumice-like moon. In the tradition of its Jupiter and its moons, this moon, receives the superlative of "most heavliy cratered body in the solar system." Jupiter's gravitational attraction frequently shields us from being bombarded by comets and meteors, but poor Callisto is right in the path!

The Galilean Satellites- Ganymede

If Europa could be considered the "audience favorite" of my films, Ganymede would have to be her cute little brother. This is the third film in The Galilean Satellites series. It is quite a bit shorter than the previous two, but was easily the hardest of the series to make (easily the hardest- bad English, I know, but funny enough for me to leave it there).

The imagery is both digital and film in origin. The opening sequence of photographs consists of digital images taken by the Galileo probe that visited Jupiter recently. The film imagery is clear 16mm film leader that has been scratched, pitted, twisted and bent to refract the polarized light.

The soundtrack consists of radio signals received from the moon's ionosphere. Unlike the previous two films, however, I have not manipulated this sound in any way. In fact, you can hear Ganymede's voice on the Jet Propulsion Laboratory's page.

This film tries to capture the essence of Ganymede, who, like his sisters, is pulled and pushed by the tidal forces of Jupiter and the other moons (sibling rivalry...even the planets and Greek deities suffer from it).

2003 16mm, sound, color Ganymede is the cup-bearer of the gods. Though he shows some superficial signs of age, the protection of Jupiter and his distance from the sun keep him in a state of eternal youth- his younger, liquid self cross-hatched with a cracked and ageing skin.

The Galilean Satellites- Io

This is the second film in The Galilean Satellites series. It is an artistic study of the wrenching and twisting of Jupiter's volcanic moon, Io. This film is quite a bit longer than the others. It is also what I feel to be the "scariest" film I've ever made. The soundtrack consists of stretched and manipulated radio emissions from Io's ionosphere, while the image consists of various objects that I'm twisting and pulling in polarized light.

Io is constantly pulled and pushed upon by her sister moons and the immense gravity of Jupiter. This film probes into the beauty of turmoil. Io is the most volcanically active body in the solar system, and is actually the hottest body in the solar system, outside of the sun (which reminds me of that Groucho Marx quote: "Outside of a dog, a book is man's best friend. Inside of a dog, it's too dark to read").

Again, imagine this quite a bit bigger than it actually is. Much of my work is meant to be seen on a very large scale. I have wanted to project this particular film around an entire room as an installation.

It was originally shot on 16mm film and is a sound piece:

2003 16mm, sound, color The second film in The Galilean Satellites series which explores the terrain of Jupiter's moon Io. The soundtrack consists of recordings made by several probes that visited Io and reveals its ionosphere. The sounds are stretched and warped, along with the substances that are being filmed, to highlight Io's active techtonic life. It is the most techtonically active body in our solar system.